Over the last months I have been working on a famous solo by Lennie Tristano. The tune is called “Line Up” and is based on the chord. Lennie Tristano’s Line up. pasted-graphic. I’ve been working on this on and off for the last 3 months, trying, just as with the previous. I first heard about Lennie Tristano’s famous improvisation over “All of Me” changes reading Ethan Iverson’s blog post about Tristano and his.

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The Masters of Bebop: In the early s Tristano played tenor saxophone and piano for lnnie variety of engagements, including in a rumba band. Lennie Tristano and His Legacy. Pianist Mose Allison commented that Tristano and Powell “were the founders of modern piano playing, since nearly everyone was influenced by one or the other of them.

In he had to leave his Manhattan studio; [16] he established a new one in Hollis, Queens.

A Horizontal Search, by Kevin Sun: Lennie Tristano on “Line Up”

New York Improvisations Lennie Tristano — His Life in Music. Writer Barry Ulanov commented in that Tristano “was not content merely to feel something, The sextet struggled to find enough work, but did play at Birdland ‘s opening night “A Journey Through Jazz”, a subsequent five-week engagement at that club, and at various other venues in the north-east of the US late in Tristano’s second album for Atlantic was recorded in and released the following year.

All tracks composed by Lennie Tristanoexcept where noted. Lennie Tristanoalso known as Tristanois a album by jazz pianist Lennie Tristano. Musicians and critics vary in their appraisal of Tristano as a musician.


The trio recordings of show a novel approach in the linear interaction between piano and guitar, resulting in counterpoint, polyrhythm, and superimposed harmonies. His educational role over three decades meant that he exerted an influence on yp through his students, including saxophonists Lee Konitz and Warne Marsh.


Tristano declined offers to perform in the s; he explained that he did not like to travel, and that the requirement for a career-minded musician to play concerts was not something that he wanted to follow. Elements of Tristano’s early playing — counterpoint, reharmonizing, and strict time — influenced Miles Davis ‘ Birth of the Cooland the playing of saxophonist Lsnnie Mulligan and pianist Dave Brubeck.

At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. By using this site, you agree to the Terms of Use and Privacy Rtistano. Articles with hAudio microformats.

Critics disagree on Tristano’s importance in jazz history. Beauty is a positive thing.

Lennie Tristano’s Line up | Tom Hewson

Grove Music commented on some aspects tristanp Tristano’s style that were different from most modern jazz: Views Read Edit View history. What I care about is that the result sounded good to me. Saxophonists Parker and Lester Young were important influences on Tristano’s development.

Tristano’s advanced grasp of harmony pushed his music beyond the complexities of the contemporary bebop movement: Tristano encouraged his students to learn the melodies of jazz standards by singing them, then playing them, before working on playing them in all keys. Ryman’s “technique not only parallels music in general but shares the principles of kinesthetic and multisensorial attention to detail that characterized the teaching of Lennie Tristano. Typically, his solos consisted of extraordinarily long, angular strings of almost even quavers provided with subtle rhythmic deviations and abrasive polytonal effects.


Retrieved July 15, He was born a prodigy and worked tirelessly to get better. Historical Dictionary of Jazz. Lennie started on the family’s player piano at the age of two or three.

Tristano’s recording “Descent into the Maelstrom” was another innovation.

InThe New York Times dubbed the album a masterpiece. In Tristano’s band performed occasionally, including as a quintet in Toronto. Retrieved September 17, He taught in a structured and disciplined manner, which was unusual in jazz education when he began. He played with leading bebop musicians u formed his own tistano bands, which soon displayed some of his early interests — contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity.

Tristano Transcriptions

Retrieved November 3, Though controversial immediately on release, Tristano’s decision to use the technique was described in by The New York Times as “celebrated”.

It was subsequently re-issued in original form and track-list order by Warner JazzRhino and Collectables Tristano was born in Chicago on March 19, Views Read Edit View history.

Retrieved from ” https: He developed further via polyrhythms and chromaticism into the s, but was infrequently recorded. Tristano studied for a bachelor’s degree in music in performance at the American Conservatory of Music in Chicago from untiland stayed for another two years for further studies, [6] although he left before completing his master’s degree.

Leonard Joseph ” Lennie ” Tristano March 19, — November 18, was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. According to Ira Gitler in The Masters of Be-Bopthe overdubbing and tape speed manipulation on this album unleashed a furor.